DEMOPRO COLLABORATION MUSIC HOW TO

This allows the group to utilize the collective musical vocabularies and strengths of each producer while maintaining the speed and focus of a single person. If anything, the ideal scenario is for the group of producers to act like one unit-one producer-working toward the same endgame. And worse, it can cause collaborators to grow frustrated with each other, making the track more work and stress than it’s worth. This can result in a less-connected collaborative process and potentially a less-focused end product. Like they’re each just stamping their imprint on the track rather than working together toward a common goal. Second, this impersonal approach has the potential to cause each producer to work as an individual, rather than as a teammate. Simply adding “your part” to a collaboration is no more enjoyable than working on a track by yourself, only now you don’t have the ability to make all the decisions. The best part of a collaboration is having multiple musical minds working together. There isn’t much communication or cooperation, only individual work.įirst of all, this usually isn’t as fun as making music with someone, like actually with someone. This process can absolutely work, and frankly, it’s the basis for most production collaborations today. Only comments and updated versions are ever really exchanged between the two “collaborators.”

In this scenario, no real strategy or direction for the track is set at the beginning, and most work is done in isolation.

And so on and so on until the track is done. The second producer works for a bit, then sends it back. The first producer works on the track, then sends it off to the other. They agree and the two send demo tracks back and forth to find a starting point.Īfter deciding on a track, the rest of the collaborative process likely looks a bit like a tennis match. One producer likely reaches out to another through social media, asking for a collaboration. In the age of the internet, the average collaboration between music producers can be pretty impersonal. The problem with modern production collaborations Best practices for remote collaboration.Best practices for in-person collaboration.

DEMOPRO COLLABORATION MUSIC HOW TO

We’ll cover the most common (and flawed) way that producers collaborate, how to set yourselves up for success, the importance of communication, and how to approach the collaborative process whether in-person or remotely. In this article, we’ll discuss how to collaborate with another music producer in an enjoyable, time-efficient, and productive way. However, differences in communication and approach can easily suck the energy out of all participants, making the project more of a chore than artistic expression. On the positive side, tapping into multiple producers’ individual musical vocabularies and tendencies often creates something greater than the sum of their parts. Collaboration has the potential to be the most rewarding or the most frustrating part of producing music.

Demopro collaboration music